Caroline Reboux Evening Cape | Met Museum | c. 1899

Caroline Reboux Evening Cape | Met Museum | c. 1899

Emile Pingat Cape | Met Museum | c. 1895
How steampunk is this?

Emile Pingat Cape | Met Museum | c. 1895

How steampunk is this?

Emile Pingat Cape | Met Museum | c. 1891

Emile Pingat Cape | Met Museum | c. 1891

Embroidered wool cape | Philadelphia Museum of Art | c. 1895

Embroidered wool cape | Philadelphia Museum of Art | c. 1895

Feather Cape | V&A Museum | c. 1895

Feather Cape | V&A Museum | c. 1895


Beaded Wedding Dress || Minnesota Historical Society || 1891

utopiste:

Elizaveta Fedorovna, c. 1880s-90s

utopiste:

Elizaveta Fedorovna, c. 1880s-90s

(Source: cristalwithani)

According to the famous Heather McNaughton of Truly Victorian patterns, typical late Victorian and Edwardian era petticoats similar to this one

“were made with lots of varied ruffles to them, so you would have 3-4 layers at the hem line in one petti. Start with a full length petti, and put a 6” ruffle at the hem. Over that you have a tall ruffle coming off at knee height that goes to the hem, with a 6” ruffle on the bottom if it.”

[Cotton petticoat, Met Museum, c. 1895]

According to the famous Heather McNaughton of Truly Victorian patterns, typical late Victorian and Edwardian era petticoats similar to this one

“were made with lots of varied ruffles to them, so you would have 3-4 layers at the hem line in one petti. Start with a full length petti, and put a 6” ruffle at the hem. Over that you have a tall ruffle coming off at knee height that goes to the hem, with a 6” ruffle on the bottom if it.”

[Cotton petticoat, Met Museum, c. 1895]

lostsplendor:



By The House of Worth, 1898 (via The Metropolitan Museum of Art)

lostsplendor:

By The House of Worth, 1898 (via The Metropolitan Museum of Art)

(via lostsplendor)


Tasha Tudor Collection: cotton boned and corded corset, 1875-90s


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